Of Shakespeares thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeares career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the
Henry VI plays to the quietly powerful Hermione in
The Winters Tale; from vengeful Tamora in
Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themes and methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies.1. Introduction
I. General Studies
2. Stagecraft and Statecraft: Queenship and Theatricality on the Shakespearean Stage
3. Shakespeare's Queens and Collective Forces: Facing Aristocracy, Dealing with Crowds.- II. Queenship & Sovereignty
4. I trust I may not trust thee : Queens and Royal Women's Visions of the World in King John
5. Cordelia, Foreign Queenship, and the Commonweal
6. Tremble at patience : Constant Queens and Female Solidarity in&lÓ)