Parabolic Figures Or Narrative Fictions [Hardcover]

Hedrick contends that parables do not teach moral and religious lessons; they are not, in whole or part, theological figures for the church. Rather, parables are realistic narrative fictions that like all effective fiction literature are designed to draw readers into story worlds where they make discoveries about themselves by finding their ideas challenged and subverted--or affirmed. The parables have endings but not final resolutions, because the endings raise new complications for careful readers, which require further resolution. The narrative contexts and interpretations supplied by the evangelists constitute an attempt by the early church to bring the secular narratives of Jesus under the control of the church's later religious perspectives. Each narrative represents a fragment of Jesus's secular vision of reality. Finding himself outside the mainstream of parables scholarship, both ecclesiastical and critical, Hedrick explored a literary approach to the parables in a series of essays that, among other things, set out the basic rationale for a literary approach to the parables of Jesus. These early essays form the central section of the book. They are published here in edited form along with unpublished critiques of a thoroughgoing literary approach and his response. It took me awhile to get used to Charlie Hedrick's proposal for how we should read the parables, but once I did, it brought me to a kind of epiphany: They're stories! They're just stories! In these foundational chapters we get more of the argument Hedrick has been making for the last fifteen years, an argument that should now have its day in court. --Stephen J. Patterson, George H. Atkinson Professor of Religious Studies, Willamette University; author of The Lost Way (2014) and Beyond the Passion (2004) This important collection of essays shows Hedrick at his critical and analytical best. He relentlessly challenges the reader to probe within the story, reading parables on their own merits, al“m