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Perspectives on Mozart Performance [Paperback]

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  • Category: Books (Music)
  • ISBN-10:  0521024064
  • ISBN-10:  0521024064
  • ISBN-13:  9780521024068
  • ISBN-13:  9780521024068
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  264
  • Pages:  264
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2006
  • Pub Date:  01-May-2006
  • SKU:  0521024064-11-MPOD
  • SKU:  0521024064-11-MPOD
  • Item ID: 100854015
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 20 to Jan 22
  • Notes: Brand New Book. Order Now.
This book includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.Perspectives on Mozart Performance, published during the Mozart bicentennial year, brings together distinguished musicologists and performers to examine several aspects of Mozart in performance. Among the range of topics dicussed are the role of ornamentation, improvisation, cadenzas, Mozart's conception of tempo, Mozart's writing for strings and his use of the chromatic fourth, and, finally, Mendelssohn as a nineteenth-century interpreter of Mozart.Perspectives on Mozart Performance, published during the Mozart bicentennial year, brings together distinguished musicologists and performers to examine several aspects of Mozart in performance. Among the range of topics dicussed are the role of ornamentation, improvisation, cadenzas, Mozart's conception of tempo, Mozart's writing for strings and his use of the chromatic fourth, and, finally, Mendelssohn as a nineteenth-century interpreter of Mozart.Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvization (Katalin Koml?s), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty). Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell). An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura. Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's perfl3*
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