In his intense and mysterious evocation of (seemingly) every kind of movie ever made, Geoffrey O'Brien erases the distinction between spectator and commentator and virtually reinvents film writing in our time.Ingenious and idiosyncratic . . . a work that somehow manages to be both a prose poem about the pleasures and distractions of movie-watching and an extremely compact history of the cinema.One of the most eccentrically engaging books to come out all year. . . .