This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of theTrauerspielbook that is amongst the first in English to scrutinize the baroque plays themselves.Philosophy and Melancholyalso contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.
An impressive work of articulate scholarship,
Philosophy and Melancholy: Benjamin's Early Reflections in Theater and Languageis a highly recommended and welcome addition to academic library Philosophical Studies reference collections and an important critique for students of Walter Benjamin's life and work. This is a remarkable and timely study of Walter Benjamin's early writings. No longer an obscure hermetic work from some distant historical moment, Benjamin's
Trauerspielbecomes central to contemporary philosophical concerns. Ilit Ferber's meticulous reconstruction of the role of melancholy in Benjamin's
Origin of the German Trauerspiel, participates in [the] scholarly return to Benjamin's philosophical beginnings . . . [H]er analysis offers a fresh, concise, and insightful presentation, formulated in exemplary clarity, of Benjamin's early inquiry into the interrelations among melancholy, language, and truth. Ilit Ferber is Assistant Professor of Philosophy at Tel-Aviv University.This book establishes first, that melancholy serves as an important focal point il<