Sullivan is incisive about how and why people portrayed Thoreau and the uses they made of those images. . . .It is an enjoyable and informative book, one that both provides solid information on many images as well as challenges us to respond to Sullivans interpretation of them.What [the author] set out to do, and he does it well, is to present Thoreau as a pivotal and seminal figure who, like Abraham Lincoln, came to be portrayed in paintings, prints, photographs, and cartoons, as a symbol and reflection of the ideological or political point the artist supported.... Sullivan has done an excellent job in examining our icons and heroes in just the way we need to do in contemporary American Cultural Studies.This book examines 30 portraits of Henry David Thoreau that were done by American artists between 1854 and the present day. Although Thoreaus features have been used in a bewildering variety of ways to convey a host of messages, there is a remarkable consistency and relevance for us today, in what he was trying to convey to his fellow Americans.As we approach the bicentennial, in 2017, of the birth of Henry David Thoreau, there is considerable debate and confusion as to what he may, or may not have, contributed to American life and culture. Almost every American has heard of Thoreau, but only a few are aware that he was deeply engaged with most of the important issues of his day, from slavery to Manifest Destiny and the rights of the individual in a democratic society. Many of these issues are still affecting us today, as we move toward the second quarter of the twenty-first century. By studying how various American artists have chosen to portray Thoreau over the years since the publication of Walden in 1854, we can gain a clear understanding of how he has been interpreted (or misinterpreted) throughout the years since his death in 1862. But along the way, we might also find something useful, for our times, in the insights that Thoreau gained as he wrestled l3‡