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Pitch of Philosophy Autobiographical Exercises [Paperback]

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  • Category: Books (Philosophy)
  • Author:  Cavell, Stanley
  • Author:  Cavell, Stanley
  • ISBN-10:  0674669819
  • ISBN-10:  0674669819
  • ISBN-13:  9780674669819
  • ISBN-13:  9780674669819
  • Publisher:  Harvard University Press
  • Publisher:  Harvard University Press
  • Pages:  212
  • Pages:  212
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-1996
  • Pub Date:  01-May-1996
  • SKU:  0674669819-11-MPOD
  • SKU:  0674669819-11-MPOD
  • Item ID: 101255467
  • Seller: ShopSpell
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The autobiographical note of Cavell's philosophy, here as in his other writings, evokes an atmosphere of fragility and danger...Whether in the discussion of the haunting of Hamlet, or in the analysis of inheritance in the filmGaslightin which `something is resounding', or even in the reflections on the `necessarily forged' signatures of ghosts, Cavell presents an understated but powerful analysis of a world and a self haunted by voices...Cavell's work extends philosophy into other domains...His autobiographical exercises exemplify `humane criticism' applied to philosophy, remaining true to the technical demands of the discipline and paying heed to the claims of the experience that sustains it.Stanley Cavell is among the very few philosophers in America to have achieved a major reputation primarily through writing on the arts, and perhaps the only one to have evolved a prose style that has something of the character of artistic expression in its own right...The author's voice kept--keeps--ringing in my inadequately pitched ear.Cavell has carried on the tradition of Wittgenstein and John Austin into new areas of philosophy and literature...The present work is both an intellectual autobiography and a philosophy of the autobiography, in which he defends the authority of the personal voice. Of most philosophical interest is a long account, part actual, part possible, of an exchange between Austin and Derrida with Cavell's own voice as adjudicator much in evidence.This isA Cavell's Progress. A reworking of his lifework themes intimating how the diverse parts, which might seem unconnected from the outside, are felt as of a piece. In philosophy, the discovery of Austin, the understanding of Wittgenstein, the raising of Emerson to the philosophical canon, the fascination with film, with images of women in a medium for women, the revelation that film and opera are the mediums of otherness for women. All this hung together with much intense family reminiscence, ol3\
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