Poetry in Theory: An Anthology 1900-2000 brings together key critical and theoretical texts from the twentieth century which have animated debates about modern poetry.
- Helps readers to think critically about the nature of modern poetry, and to engage with broader questions about aesthetics, language, culture and imagination.
- Includes texts by poets, critics, theorists and philosophers, ranging from Ezra Pound to Jacques Derrida.
- Texts in translation from French, German, Spanish, Italian and Russian are presented alongside the work of writers from Britain, Ireland, the United States, Africa, India and the Caribbean.
- Each text is accompanied by a brief biographical and thematic introduction.
- A system of cross-referencing points up significant connections and disagreements between the texts.
- Includes a thematic index and chronology.
Acknowledgements.
Introduction.
Part I: 1900-20.
The Symbolism of Poetry: W.B. Yeats (1900).
Three Letters: Rainer Maria Rilke (1903, 1907, 1925).
Creative Writers and Daydreaming: Sigmund Freud (1908).
Romanticism and Classicism: T. E. Hulme (1911).
The Technical Manifesto of Futurist Literature: Filippo Marinetti (1912).
Poet Yeats: Rabindrantah Tagore (1912).
Robert Frost: Edward Thomas (1914).
Poetry as Spoken Art: Amy Lowell (1917).
The New Spirit and the Poets: Guillaume Apollinaire (1917).
A Retrospect: Ezra Pound (1918).
Note on Poetry: Tristan Tzara (1919).
On Poetry and On Contemporary Poetry: Velimir Khlebnikov (1919/20).
Tradition and the Individual Talent: T. S. Eliot (1919lÆ