A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.This book takes a new look at the courtly masque-- a unique combination of music, dance, speech, and elaborate costume -- in early seventeenth-century England. The essays, written by distinguished scholars from around the world, present an interdisciplinary approach, with experts on dance, music, visual spectacle and politics all addressing the masque from the point of view of their speciality. Together they reveal how rival factions at the courts of James I and of Charles I represent their clash of viewpoints through dancing and spectacle.This book takes a new look at the courtly masque-- a unique combination of music, dance, speech, and elaborate costume -- in early seventeenth-century England. The essays, written by distinguished scholars from around the world, present an interdisciplinary approach, with experts on dance, music, visual spectacle and politics all addressing the masque from the point of view of their speciality. Together they reveal how rival factions at the courts of James I and of Charles I represent their clash of viewpoints through dancing and spectacle.This book takes a new look at the courtly masque--a unique combination of music, dance, speech, and elaborate costume--in early-seventeenth-century England. The essays, written by distinguished scholars from around the world, present an interdisciplinary approach, with experts on dance, music, visual spectacle and politics all addressing the masque from the point of view of their speciality. Together they reveal how rival factions at the courts of James I and of Charles I represented their clash of viewpoints through dancing and spectacle.List of illustrations; List of contributors; Acknowledgements; Note on the text; 1. Introduction David Bevington and Peter Holbrook; 2. Courtly negotiations Martin Butler; 3. Upstaging the Queen: the Earl of Essex, Francis Bacon and the Accession DaylĂU