Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics.Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.Challenging prevailing views of Brecht's theater and politics, Loren Kruger focuses much of her analysis on regions where Brecht has had special resonance, including East Germany and South Africa. She also analyzes political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard, as well as Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.List of illustrations; Acknowledgements; List of abbreviations; Introduction; 1. The political history of theatre and theory: Brecht and his contemporaries; 2. Realism, socialism and modernism in the production play; 3. Broadcasting (a)socialism: Brecht, M?ller and Radio Fatzer; 4. Spectres and speculation: Brechtian futures on the global market; 5. The dis-illusion of apartheid: lcą