This book examines a wide range of contemporary Russian writers whose work, after the demise of Communism, became more authoritative in debates on Russias character, destiny, and place in the world. Unique in his in-depth analysis of both playful postmodernist authors and fanatical nationalist writers, Noordenbos pays attention to not only the acute social and political implications of contemporary Russian literature but also literary form by documenting the decline of postmodern styles, analyzing shifting metaphors for a Russian identity crisis, and tracing the emergence of new forms of authorial ethos. To achieve this end, the book builds on theories of postcoloniality, trauma, and conspiracy thinking, and makes these research fields productively available for post-Soviet studies.
CONTENTS
INTRODUCTION
PART I
CHAPTER ONE
The Black Holes of History: Narratives of Cultural Trauma
CHAPTER TWO
Post-Totalitarian Identity and the Struggle with Literaturocentrism
CHAPTER THREE
Empire of Empty Signs: Unsettling Imitations of the West
PART II
CHAPTER FOUR
Imperial Stiob: The Aesthetics of Chauvinism
CHAPTER FIVE
The Return of the Dead: Haunting Traumas and Nostalgic Dreams
CHAPTER SIX
Interpreting Gorbachevs Birthmark: Conspiratorial Visions of Russian Identity
CONCLUSION