This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center?
The collections contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.
Introduction: Philosophical Approaches to Race in Film Dan Flory and Mary K. Bloodsworth-Lugo Epistemology 1. Imaginative Resistance and the White Gaze in Machete and The Help Dan Flory 2. Born into Bondage: Teaching The Matrixand Unlearning the Racial Organization of Knowledge Michael Eng 3. What's So Bad About Blackface? Christy Mag Uidhir Aesthetics4. So Now Youre Swedish American?: Jewish-American Women, Philosophies of Beauty in Requiem for a DreamRen?e R. Curry and William Brigham 5.Cruising Through Race Monique Roelofs Moral Philosophy 6. True Blood and Race: From Progress to Complacency to Paganism, to Humanity Naomi Zack&ls)