Renaissance Paratexts [Paperback]

A stimulating collection which explores both the material and the conceptual worlds of the early modern book.Covering a wide range of texts, authors and genres, this collection takes a fresh look at the ways early modern books presented themselves to readers. Chapters provide novel perspectives on the technologies of reading and expose the complexity of the playful, proliferating and self-aware paratexts of English Renaissance books.Covering a wide range of texts, authors and genres, this collection takes a fresh look at the ways early modern books presented themselves to readers. Chapters provide novel perspectives on the technologies of reading and expose the complexity of the playful, proliferating and self-aware paratexts of English Renaissance books.In his 1987 work Paratexts, the theorist G?rard Genette established physical form as crucial to the production of meaning. Here, experts in early modern book history, materiality, and rhetorical culture present a series of compelling explorations of the architecture of early modern books. The essays challenge and extend Genette's taxonomy, exploring the paratext as both a material and a conceptual category. Renaissance Paratexts takes a fresh look at neglected sites, from imprints to endings, and from running titles to printers' flowers. Contributors' accounts of the making and circulation of books open up questions of the marking of gender, the politics of translation, geographies of the text, and the interplay between reading and seeing. As much a history of misreading as of interpretation, the collection provides novel perspectives on the technologies of reading, and exposes the complexity of the playful, proliferating, and self-aware paratexts of English Renaissance books.Introduction Helen Smith and Louise Wilson; Part I. Orders of the Book: 1. 'Imprinted by Simeon such a signe': reading early modern imprints Helen Smith; 2. 'Intended to offenders': the running titles of early modern books Matthew Day; 3. ChanglCÇ