The Russian Theatre after Stalin [Paperback]

This is the first book to explore theatre in Russia after Stalin.This is the first book to explore theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners and contains a chronology, glossary of names, and informative illustrations.This is the first book to explore theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners and contains a chronology, glossary of names, and informative illustrations.This is the first book to explore theater in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyze contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theater, highlighting the social and political events that shaped Russian drama and performance. The book also focuses on major directors and practitioners and contains a chronology, glossary of names, and informative illustrations.Translator's note; Glossary; Chronology; Introduction; 1. The thaw (19531968); 2. The frosts (19681985); 3. The black box (19851997); Conclusion; Notes; Index. With fascinationg inslóL