Schenker Studies 2 [Paperback]

Second volume of studies based on the work of Heinrich Schenker.This is Cambridge University Press's second volume of studies based on the work of Heinrich Schenker (1868-1935), now recognized as this century's most influential FIGURE IN THE AREAS OF MUSIC THEORY and analysis. The book contains historical studies deriving from Schenker's unpublished papers, and analytical studies of music from the eighteenth to the twentieth centuries. It aims to apply and further develop Schenker's theories and ideas for the benefit of music scholars, performers, and students.This is Cambridge University Press's second volume of studies based on the work of Heinrich Schenker (1868-1935), now recognized as this century's most influential FIGURE IN THE AREAS OF MUSIC THEORY and analysis. The book contains historical studies deriving from Schenker's unpublished papers, and analytical studies of music from the eighteenth to the twentieth centuries. It aims to apply and further develop Schenker's theories and ideas for the benefit of music scholars, performers, and students.This is Cambridge University Press' second volume of studies based on the work of Heinrich Schenker (1868-1935), now recognized as this century's most influential figure in the areas of music theory and analysis. The book contains historical studies that derive from Schenker's unpublished papers, and analytical studies of music from the eighteenth to the twentieth centuries. It aims to apply and further develop Schenker's theories and ideas for the benefit of music scholars, performers, and students.Abbreviated references to Schenker's writings; Preface; Part I. Archival Studies: 1. Levels of understanding: an introduction to Schenker's Nachlass Robert Kosovsky; 2. When 'Freier Satz' was part of Kontrapunkt: a preliminary report Hedi Siegel; 3. Schenker's unpublished work with the music of Johannes Brahms Allen Cadwallader and William Pastille; Part II. Analytical Studies: 4. C. P. E. Bach and the fine art of transpols