Proust is read as a writer of maxims and metaphors, of short and long sentences, as at once an aesthete and a scientific thinker. HisA la recherche du temps perduis a hybrid, a novel-essay, an epistemological debate that crosses the boundaries between two cultures, art and science. Science and Structure explores the epistemological alertness and anxiety of Proust's masterpiece and in so doing illuminates the interrelations between modernist art and science.
Introduction Maxims Correspondence between Art and Science Retroduction Hypothesis Modelling Knowledge as Revolution and Revelation Theory-laden souffrance Serendipity Bibliography Index