Screening World Cinema brings together a selection of the best articles on the topic of world cinema published in the esteemed Screenjournal.
Available in one volume for the first time, this collection allows readers to cross-reference debates and essays that have ranged across many issues of Screen. Themes addressed include:
- the problem of defining world cinema
- the relationship between first and third cinema and criticism
- issues of modernity and modernization
- questions of national and transnational cinema.
With a selection of articles on key contemporary world cinemas New Iranian, Latin American and Chinese as well, this will be a must-read for all students of world cinema.
Illustration List. Acknowledgments. Notes on Contributors. 1. Screening World Cinema Part 1: Views from Here and There 2. Marginal Cinemas and Mainstream Critical Theory: The Relationships between Third World Cinema and First World Criticism 3. Colonialism and Law and Order Criticism Part 2: Modernity and Modernization 4. A Screen of One's Own: Early Cinema in Quebec and the Public Sphere 1906-28 5. If Looks Could Kill: Image Wars inMaria Candelaria 6. Pictures of the Past in the Present: Modernity, Femininity and Stardom in the Postwar Films of Ozu Yasujiro Part 3: Melodrama as a National and Transnational Mode 7. The Melodramatic Mode and the Commercial Hindi Cinema: Notes on Film History, Narrative and Performance in the 1950s 8. Avenging Women in Indian Cinema 9. Narratives of Resistance: National Identity and Ambivalence in the Turkish Melodrama between 1965 and 19l3œ