AcknowledgementsIntroduction 1. Crowned anarchy': Deleuze's univocal concept of being and the simulacrum: non-representational modernism and poetic innovation 2. Sensation and a Deleuzian Aesthetics: reading innovative poetries 3. The significance of sensation: innovative poetry as social thought 4. The significance of sensation: the self 5. The significance of sensation: the composition and force of innovative poetic space 6. The significance of sensation: the politics of contemporary innovative poetry Conclusion BibliographyIndex
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