Sense and Sadnessis an innovative study of music modality in relation to human emotion and the aesthetics of perception. It is also a musical story of survival through difficulty and pain. Focusing on chant at St George's Syrian Orthodox Church of Aleppo, author Tala Jarjour puts forward the concept of the emotional economy of aesthetics, which enables a new understanding of modal musicality in general and of Syriac musicality in particular. Jarjour combines insights from musicology and ethnomusicology, sound and religious studies, anthropology, history, East Christian and Middle Eastern studies, and the study of emotion, to seamlessly weave together multiple strands of a narrative which then becomes the very story it tells. Drawing on imagination and metaphor, she brings to the fore overlapping, at times contradictory, modes of sense and sense making. At once intimate and analytical, this ethnographic text entwines academic thinking with its subject(s) and subjectivities, portraying events, writing, people, and music as they unfold together through ritual commemorations and a devastating, ongoing war.
Preface
Telling history in motion Dismantled machinery Illusive empowerment
Part One Modes of Thinking
Chapter I Emotion and the Aesthetic
[Snapshot] Emotion and the Economy of Aesthetics The emotional economy of aesthetics A living music Central marginality Music complexity Mode as metaphor Understanding through imagination A dynamic outlook on method [Snapshot] A scholarship of emotion Discursive subjectivities Scholar(ship) and subject(s) Situationality as liminality Aestheticizing the emotional
Chapter II Edessan Christians in Hayy al-Suryan
Unique sounds, against historic odds Syriac liturgy and theology Modern Christianity with ancient roots Begging pardon:Shubqono Forty times Forty Bows Early asceticism flƒ¸