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Shakespeare's Musical Imagery [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Wilson, Christopher R.
  • Author:  Wilson, Christopher R.
  • ISBN-10:  1847064957
  • ISBN-10:  1847064957
  • ISBN-13:  9781847064950
  • ISBN-13:  9781847064950
  • Publisher:  Bloomsbury Academic
  • Publisher:  Bloomsbury Academic
  • Pages:  272
  • Pages:  272
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Feb-2012
  • Pub Date:  01-Feb-2012
  • SKU:  1847064957-11-MPOD
  • SKU:  1847064957-11-MPOD
  • Item ID: 100883068
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  • Delivery by: Jul 12 to Jul 14
  • Notes: Brand New Book. Order Now.

Music pervades Shakespeare's
work. In addition to vocal songs and numerous instrumental cues there are
thousands of references to music throughout the plays and many of the poems.
This book discusses Shakespeare's musical imagery according to categories defined
by occurrence in the plays and poems. In turn, these categories depend on their
early modern usage and significance. Thus, instruments such as lute and viol
deserve special attention just as Renaissance ideas relating to musical
philosophy and pedagogical theory need contextual explanation. The objective is
to locate Shakespeare's musical imagery, reference and metaphor in its
immediate context in a play or poem and explain its meaning. Discussion and
explanation of the musical imagery suggests a range of possible dramatic and
poetic purposes these musical references serve.

Preface and Acknowledgements \Introduction: Music tohear':Thescope of Shakespeare's musical imagery \1. By the sweet power ofmusic': Consonance and harmony \2. And doleful dumps themind oppress': Passionate words\ 3. A delightful measureor a dance': Dance music \4. Braying trumpets and loud churlish drums':The music of war\ 5.A rhyme is but a ballad': Popular song \6. Suppose the singingbirds musicians': Birdsong\ 7. Orpheus with hislute': Symbolic persons\ 8. Gamut I am, the groundof all accord': Music theory and pedagogy \ 9.A thousand twanglinginstruments': Art and country instruments\ Epilogue: A swanlike end,fading in music'\ Bibliography \Index

Christopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century.
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