Signs That Sing Hybrid Poetics In Old English Verse [Hardcover]

A critically sophisticated leap forward in the study of early medieval literature, Signs That Sing issues a bold challenge to long-held preconceptions about the relationships underlying Old English poetry between past and present, pagan and Christian, and oral and literary.Joseph Falaky Nagy, author of Conversing with Angels and Ancients: The Literary Myths of Medieval Ireland
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Maring sidesteps simplistic oral versus literary schools of thought as she considers Old English verse as the product of an emergent hybrid form. A welcome contribution to oral poetics and the understanding of the earliest period of English literature.John D. Niles, author of The Idea of Anglo-Saxon England 10661901: Remembering, Forgetting, Deciphering, and Renewing the Past
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Elegantly shows how the elements of oral poetry continued to inspire the authors of Old English verse long after their conversion to Christianity. Far from being antiquarian relics, the themes of oral verse joined with learned exegesis and ritual performances to form a rich source of metaphorical meaning in Old English poetry, which this book brilliantly opens up to modern readers.Emily V. Thornbury, author of Becoming a Poet in Anglo-Saxon England
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In Signs that Sing, Heather Maring argues that oral tradition, religious ritual, and literate Latin-based practices are dynamically interconnected in Old English poetry. Resisting the tendency to study these different forms of expression separately, this book contends that poets combined them in hybrid techniques that were important to the early development of English literature.
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Maring examines a variety of texts, including Beowulf, The Battle of Maldon, The Dream of the Rood, and the Advent Lyrics, and shows how themes from oral tradition became metaphors for sacred concepts in the hands of Christian authors and how oral performance and religious liturgy inlc)