This new book is a lively and original study of psychoanalysis and its relations to the arts.
Acknowledgements vii
Introduction 1
Part I Psychoanalysis and Literature: Freud 11
1 What is a psychoanalytic reading? 13
2 The uncanny and its poetics 18
3 The vagaries of fantasy: Alfred Kubin’s The Other Side 31
4 Maladies of the soul: the poetics of Julia Kristeva 41
Part II Psychoanalysis and Language: Lacan 59
5 What is a discourse? 61
6 The indirections of desire: Hamlet 77
7 Inscribing the body politic: Robert Coover’s Spanking the Maid 86
8 What does Woman want?: The Double Life of Véronique 104
Part III Patients and Analysts: Readers and Texts 115
9 What is a clinical ‘case’? 117
10 The rhetoric of clinical discourse: Dialogue with Sammy 132
11 The rhetoric of clinical management: Bion and Minuchin 140
12 Out of tune: Elfriede Jelinek’s The Piano Teacher 154
Conclusion 165
Notes 169
Bibliography 186
Index 193
The extraordinary achievement of Wright's book is that it inverts the standard psychoanalytic approach to art, which consists in bringing to light the unconscious pathological complexes that underlie the work of art - for Wright, and in the best Lacanian tradition, it is the poetics, the rhetorical strategies of language itself, that provide the key to the formations of the unconscious. The consequent deployment of this insight makes the book an instant classic that will stay around for decades.
Slavoj Zizek Ell³k