Staged Properties in Early Modern English Drama [Hardcover]

This collection of essays explores the material, economic and dramatic roles of stage properties in early modern English drama.This collection of essays explores the material, economic and dramatic implications of stage properties in early modern English drama. The essays in this volume, written by a team of distinguished scholars in the field, offer valuable insights and historical evidence concerning the forms of production, circulation and exchange that brought such diverse properties as sacred garments, household furnishings, pawned objects, and even false beards onto the stage.This collection of essays explores the material, economic and dramatic implications of stage properties in early modern English drama. The essays in this volume, written by a team of distinguished scholars in the field, offer valuable insights and historical evidence concerning the forms of production, circulation and exchange that brought such diverse properties as sacred garments, household furnishings, pawned objects, and even false beards onto the stage.This collection of essays explores the economic and dramatic implications of stage properties in early modern English drama. Written by a team of distinguished scholars, the essays explore the forms of production, circulation and exchange that brought sacred garments, household furnishings, pawned objects and even false beards onto the stage.List of illustrations; Notes on contributors; 1. Introduction: towards a materialist account of stage properties Jonathan Gil Harris and Natasha Korda; Part I. Histories: 2. Properties of skill: product placement in early English artisanal drama Jonathan Gil Harris; 3. The dramatic life of objects in the early modern theatre Douglas Bruster; Part II. Furniture: 4. Things with little social life (Henslowe's theatrical properties and Elizabethan household fittings) Lena Cowen Orlin; 5. Properties of domestic life: the table in Heywood's A Woman Killed with Kindness Catherine Richardson; 6. 'Let me thl“Õ