Description: Committing theology to poetry is not new, but it's not wildly common. The Sunrise Liturgy aims to do just that. It is a sequence, like liturgy, with a start and a procession and a finish. The sun does the processing, and the play on sun and Son is never far from sight. Sunrise gives the cantus firmus to this theological theme and variations, where the going is by turns easy, by turns thickly polyphonic--take a deep breath! The cantus firmus shifts from voice to voice, disappearing, towards year's end, beyond the audible range of human mortals. But there are other mortals in this procession of the year, acolytes of the Holy Impotence, and under and beside and through it all flows the St. Lawrence River, le fleuve, winding across the page, a tidal presence at once natural and mystical. As are the snow geese. As is the heron. There is an attempt to wrestle with a credible theodicy, especially environmental. There is a profound penchant for the eremitic, with nods to The Cloud of Unknowing and Gregory of Nyssa. And always there is the priestly sense of performance, enactment, and Eucharist, for this is a priest speaking. Endorsements: The Sunrise Liturgy does what it says on the cover: it is a liturgical celebration of dawn. That is, it goes over again and again the kind of change that a new day is--materially and spiritually--and makes us participants in this event that makes the entire world look different. It is constantly surprising and very beautiful . . . It is by turns full of a Joycean exuberance and an extraordinary stillness. . . Exciting poetry, demanding and enlarging. --Rowan Williams Archbishop of Canterbury Author of Christian Imagination in Poetry and Polity Here is something true--steadying, vivifying. I felt lifted and anchored by the reading. [Anderson's] distinctive narrative leaps, her metaphoric audacity, the graceful flexibility of her poetic mind lead us into a sensibility which amounts to a trued world. --Tim LilburnlóJ