. . . we are fixed to perpetrate the species
I meantperpetuateas if our duty
were coupled with our terror. As if beauty
itself were but a syllabus of errors.
Troy Jollimore's first collection of poems won the National Book Critics Circle Award, was hailed by theNew York Timesas a snappy, entertaining book, and led theSan Francisco Chronicleto call him a new and exciting voice in American poetry. And his critically acclaimed second collection expanded his reputation for poems that often take a playful approach to philosophical issues. While the poems inSyllabus of Errorsshare recognizable concerns with those of Jollimores first two books, readers will also find a voice that has grown more urgent, more vulnerable, and more sensitive to both the inevitability of tragedy and the possibility of renewal.
Poems such as Ache and Echo, The Black-Capped Chickadees of Marthas Vineyard, and When You Lift the Avocado to Your Mouth explore loss, regret, and the nature of beauty, while the culminating long poem, Vertigo, is an elegy for a lost friend as well as a fantasia on death, repetition, and transcendence (not to mention the poets favorite Hitchcock film). Ingeniously organized into sections that act as reflections on six quotations about birdsong, these poems are themselves an answer to the question the poet asks in On Birdsong : What would we say to the cardinal or jay, / given wings that could mimic their velocities?
"One of The New York Times Best Poetry Books of 2015 (selected by David Orr)"Troy Jollimoreis the author of two previous collections of poetry,
At Lake Scugog(Princeton) and
Tom Thomson in Purgatory, which won the National Book Critics Circle Award. His poems have appeared in the
New Yorker,
McSweeney's, the
Believer, and other publications. He is a professor of phl“M