Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly. Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed.
Television Studies after TVleads the way in developing new ways of understanding television in the post-broadcast era. With contributions from leading international scholars, it considers the full range of convergent media now implicated in understanding television, and also focuses on large non-Anglophone markets such as Asia and Latin America in order to accurately reflect the wide variety of structures, forms and content which now organise television around the world.
Introduction. Graeme Turner and Jinna Tay Part I: What is Television? Introduction to Part I 1. Matrix Media. Michael Curtin 2. Less Popular but More Democratic? Corrie, Clarkson and the Dancing Cru. John Hartley 3. The Twenty-First Century Telescreen. Mark Andrejevic 4. Screens: Televisions Dispersed Broadcast. P. David Marshall. Part II: The Function of Post-Broadcast Television. Introduction to Part II 5. Television and the Nation: Does This Matter Any More? Graeme Turner 6. Between the Public and the Private: Television Drama and Global Partnerships in the Neo-Network Era. Serra Tinic 7. Approach with Caution and Proceed with Care: Campaigning for the US Presidency After TV. Toby Miller 8. Reinventing Television: The Work of the Innovation Unit. Stuart Cunningham. l#!