Anthony Neilson is one of the most exciting and challenging voices in contemporary British theatre. For two decades he has been in the vanguard of new writing and has acquired a reputation for innovation and experimentation. His major stage plays includePenetrator,The Censor,Stitching,Realismand his 2004 masterpieceThe Wonderful World of Dissocia, arguably one of the best Scottish plays of the new millennium.
This volume provides the first full-length study of both Neilson's plays and his innovative rehearsal methodology. As well as providing a detailed account of each play Trish Reid includes an extensive new interview with Neilson and with many of his key collaborators. This is essential reading for anyone who wants to develop a better understanding of one of British theatre's most original artists on stage and in the rehearsal room.
Trish Reidis Deputy Head of the School of Performance and Screen Studies at Kingston University, London, UK. She is the author of
Theatre & Scotland(2012), and has contributed chapters to
The Suspect Culture Book(2013);
Modern British Playwriting the 1990s(Bloomsbury Methuen Drama, 2012) and
The Edinburgh Companion to Scottish Drama(2011).
Acknowledgements
1. INTRODUCTION: NEILSON IN CONTEXT
2. PART I CRITICAL SURVEY
a. Relationship plays:
i.Normal
ii.Penetrator
iii.The Censor
iv.Stitching
b. Experiments in form
i.Edward Gant's Amazing Feats of Loneliness
ii.The Wonderful World of Dissocia
iii.Realism
iv.Relocated
v.Narrative
c. Seasonal Entertainments and plays for young people
i.Home EdinburghandThe S?ance
ii.The Night Before Christmas
iii.The Lying Kind
iv.God in Ruins
v.Get Santa!
d. Neilson aslƒc
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