Theology and Existentialism in Aeschylusrevivifies the complex question of fate and freedom in the tragedies of the famous Greek playwright. Starting with Sartres insights about radical existential freedom, this book shows that Aeschylus is concerned with the ethical ramifications of surrendering our lives to fatalism (gods, curses, inherited guilt) and thoroughly interrogates the plays for their complex insights into theology and human motivation. But can we reconcile the radical freedom of existentialism and the seemingly fatal world of tragedy, where gods and curses and necessities wreak havoc on individual autonomy? If forces beyond our control or comprehension are influencing our lives, what happens to choice? How are we to conceive of ethics in a world studiously indifferent to our choices?
In this book, author Ric Rader demonstrates that few understood the importance of these questions better than the tragedians, whose literature dealt with a central theological concern: What is a god? And how does god affect, impinge upon, or even enable human freedom? Perhaps more importantly: If god is dead, is everything possible, or nothing? Tragedy holds the preeminent position with regard to these questions, and Aeschylus, our earliest surviving tragedian, is the best witness to these complex theological issues.
Introduction: Written in the Cosmos 1. The Radical Theology of Prometheus Bound or On Prometheus God Problem 2. The Curse of Inherited Guilt in Seven against Thebes3. The Necessity of Agamemnon4. Fatal Aftermaths: Libation-Bearersand Eumenides
Richard Raderteaches Latin and Greek at Montgomery Bell Academy, USA. He was Visiting Assistant Professor in the Department of Classics at the University of California at Santa Barbara, USA. Prior to UCSB he held a Mellon Postdoctorall#1