Terrence Malick is one of the most important and controversial filmmakers of the last few decades. Yet his renown does not stem from box office receipts, but rather from his inimitable cinematic vision that mixes luminous shots of nature, dreamlike voiceovers, and plots centered on enduring existential questions. Although scholars have thoroughly examined Malicks background in philosophy, they have been slower to respond to his theological concerns.
This volume is the first to focus on the ways in which Malick integrates theological inquiries and motifs into his films. The book begins with an exploration of Malicks career as a filmmaker and shows how his Heideggerian interests relate to theology. Further essays from established and up-and-coming scholars analyze seven of Malicks most prominent films Badlands(1973), Days of Heaven (1978), The Thin Red Line (1998), The New World (2005), The Tree of Life (2011), To the Wonder (2012), and Knight of Cups(2015) to show how his cinematic techniques point toward and overlap with principles of Christian theology. A thorough study of an iconic filmmaker, this book is an essential resource for students and scholars in the emerging field of religion and film.
Part One: An Introduction to Terrence MalickScholar, Filmmaker
1 An Improbable Career: The Films of Terrence Malick
James Kendrick
2 In the Theater of Light: Towards a Heideggerian Poetics of Film
George Pattison
Part Two: Terrence Malick as Theological Auteur
3 The Divine Reticence of Terrence Malick
Peter J. Leithart
4 Who Has Eyes to See, Let Him See: Terrl“.