Theorizing Film Acting [Paperback]

This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.

Introduction: Acting, Casually and Theoretically Speaking, Aaron Taylor  I. Aesthetics: Understanding and Interpreting Film Acting  1. Acting Matters: Noting Performance in Three Films, Brenda Austin-Smith  2. Living Meaning: The Fluency of Film Performance, Andrew Klevan  3. Play-Acting: A Theory of Comedic Performance, Alex Clayton  4. Performed Performance and The Man Who Knew Too Much, Murray Pomerance  5. Brando Sings! The Invincible Star Persona, George Toles II. Reception: Film Acting, Audiences and Communities  6. Look at Me! : A Phenomenology of Heath Ledger in The Dark Knight, Joerg Sternagel  7. Is Acting a Form of Simulation or Being? Acting and Mirror Neurons, William Brown  8. The Bond That Unbinds By Binding: Acting Mythology and the Film Community, Kevin Esch  9. From Being to Acting: Performance in Cult Cinema, Ernest Mathijs  10. Acting and Performance in Home Movies and Amateur Films,Liz Czach