Roger Angell, the acclaimedNew Yorkerwriter and editor, steps up with a selection of writings that celebrate a view from the tenth decade of an engaged, vibrant life. Whether it’s a Fourth of July in rural Maine, the opening game of the 2015 World Series, editorial exchanges with John Updike, a letter to a son, or his award-winning essay on aging, “This Old Man,” what links the pieces is Angell’s unique perceptions and humor, his utter absence of self-pity, and his appreciation of friends and colleagues encountered over a fruitful career unlike any other.“[Angell’s] prose is bright and conversational and almost infinitely elastic.... Like V. S. Pritchett, his own “bottomless reading” seems never to have dulled “the eagerness of his mind,” or the bounce and velocity of his prose, which, like Updike’s, possesses a gravity-defying “lift and lightness and intelligence.” Perhaps most of all, Mr. Angell — like Updike and White — is a “prime noticer”: a sharp-eyed collector of details, gathered over the course of nearly 10 decades, and dispensed here, with artistry and élan, in these jottings from a long and writerly life. —Michiko Kakutani,The New York Times
[I]rresistible.... Angell is neither an aphoristic nor overtly flashy writer. His virtues are those of close observation and considered reflection, careful accretion of detail and argument, and a prose style whose ambling grace belies its lean economy. —San Francisco Chronicle
“There is a certain generosity operating here, an assumption of friendship between reader and writer, the way one is pleased to hear what a friend has to say no matter what the occasion. In inviting us to rummage through his literary files, Angell proves almost consistently engaging and companionable.... [W]e are grateful for his perspective on the kingdom of l“$