What is it to listen? How do we hear? How do we allow meanings to emerge between each other?
'This book is about what Freud called freely or evenly suspended attention , a form of listening, a kind of receptive incomprehension, which is fundamental and mandatory for the practice of psychoanalysis and psychotherapy. The author steps outside the usual parameters of psychoanalytic writing and explores how works of art and literature which elicit and require such listening began to appear in Europe, in abundance, from the late eighteenth-century onwards.
Uncertainties, Mysteries, Doubtsis a timely reminder, in the present era of audit and manualisation, of some of psychoanalysis's deep and living cultural roots. It hopes- by immersing the reader in the emotional, critical and contextual worlds of some artists and poets of Romanticism- to help psychotherapists, psychoanalysts, and counsellors in the endless challenge of staying open to their clients and patients, faced as we all are, therapists and clients alike, by multiple pressures to knowledgeable closure.
Introduction. Psychoanalysis and Romanticism: Crisis, Mourning and the Mysteries of the Ordinary. The 'Analytic Attitude': An Evocation and an Overview. Goya and the Dream of Enlightenment. H?lderlin, Novalis, Word Without End. Baudelaire and the Malaise of Modernity. Dr Noir, the Chevalier Dupin, and John Keats.Conclusion.
In championing a Romantic psychoanalytic attitude, Robert Snell has given us a book whose effect is like that of a pebble in a pond: whatever attitude we bring of our own, questions and ever larger questions ripple out. It will send us back to Baudelaire and the rest, invite us to bring alternative or additional texts and works of art an invitation accepted in my own references to Swift and Pope and in its Keatsian way teases us out of thought. It is a book to be read, reread and savoured.lÓ˘