Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. ?Over time and across space the interactions between these artefacts and ?the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency.
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In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the development of new theoretical frameworks to examine broader questions of materiality, agency, and identity in the past and present.
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Grounded in case studies from individual objects and museum collections from North America, Europe, Africa, the Pacific Islands, and Australia, this truly international volume juxtaposes historical, geographical, and cross-cultural studies.
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This work will be of great interest to archaeologists and anthropologists studying material culture, as well as researchers in museum studies and cultural heritage management.
Grounded in case studies from individual objects and collections from North America, Europe, Africa, the Pacific Islands, and Australia, this volume provides a new theoretical framework for examining material culture within museums.
INTRODUCTION.- Chapter 1. Networks, Agents and Objects: Frameworks for Unpacking Museum Collections by Sarah Byrne, Anne Clarke, Rodney Harrison and Robin Torrence PROCESSES AND PERSPECTIVES.- Chapter 2. 'Suitable for Decoration of Halls and Billiard Rooms': Finding Indigenous Agency in Historic Auction and Sale Catalogues by Robin Torrence and Anne Clarke.- Chapter 3.l3“