This book links two fields of interest which are too seldom considered together: the production and critique of art in public space and social behaviour in the public realm. Whilst most writing about public art has focused on the aesthetic, cultural and political intentions and processes that shape its production, this edited collection examines a variety of public artworks from the perspective of their actual everyday use. Contributors are interested in the rich diversity of peoples engagements with public artworks across various spatial and temporal scales, encounters which do not limit themselves to the representational aspects of the art, and which are not necessarily as the artist, curator or sponsor intended. Case studies consider a broad range of public art, including commissioned and unofficial artworks, memorials, street art, street furniture, performance art, sound art and media installations.
1. Framing Art and its Uses in Public Space Julia Lossau and Quentin Stevens Part I: Perception 2. The Ergonomics of Public Art Quentin Stevens 3. Graffiti, Street Art and Theories of Stigmergy Lachlan MacDowall Part II: Interaction 4. Media Architecture: Engaging Urban Experiences in Public Space Martin Brynskov, Peter Dalsgaard and Kim Halskov 5. Trafalgar Square: of Play, Plinths, Publics, Pigeons and Participation Nicolas Whybrow Part III: Participation 6. Tree Planting: The Use of Public Art as a Social Practice Julia Lossau 7. Sound Response: The Public Reception of Audio Walks Angharad Saunders and Kate Moles Part IV: Appropriation 8. The Non-use, Re-use, Mis-use and Counter-use of Public Art in the Vilakazi Street Precinct, Soweto, South Africa Pauline Guinard 9. You alós