Language, education, science, and song come together in surprising ways in Katherine Bergeron's new history of music in the Belle Epoque.Voice Lessonsexamines the modern musical art known asla m?lodie fran?aiseand its rise to prominence in the years around 1900-a period when France was pouring resources into national literacy and French scholars were beginning to grasp the nuances of the spoken tongue. Bergeron explores the relationship between the free, secular, and compulsory school system of the Third Republic, and the experimental sciences of language that grew alongside it, to observe the ways in which both science and school redefined the verbal arts in France at century's end.
The music of Faur?, Debussy, and Ravel; the writings of Mallarm?, Rimbaud, and Verlaine; the performances of Maggie Teyte, Reynaldo Hahn, and Sarah Bernhardt; the linguistic studies of Paul Passy and Abb? Rousselot: all these sources offer evidence of the new ideas of expression that proliferated during one of the most idealistic moments in French musical history, when poets, composers, actors, singers, and scientists all learned to imagine-and to speak-their language in new ways. Through close readings of songs, poems, sound recordings, and other historical records,Voice Lessonsnarrates the development of a rare musical art, seeking to explain why this art emerged, why it mattered, and why it eventually disappeared.
List of Figures List of Musical Examples Foreword: Telling History 1. Eve Sings, An Origin Story Melody Eve Sings Muteness Oral Pleasures Melos and Mimesis Mortal Melody Perfect prosody, androgynous melody Selfless Singers NOTES TO CHAPTER ONE 2. The Mother Tongue Teaching the modern ABCs The People's Mouth Figures of Speech Talking Machines Indelible Accents NOTES TO CHAPTER TWO 3. Free Speech, Free Verse, and Music Before All Things Poetry and the People Vibrationsl3ª
![Voice Lessons French Mlodie in the Belle Epoque [Hardcover]](/itemImage/2/9/2/2/2_1505529.jpg)